How do you make money from writing?
PSST — most freelance journalists have multiple income streams
I’m living at home with my parents in Sheffield at the moment, and every day my Mum comes home from work and asks ‘Have you had any £1,000 commissions today?’. I wish, Mum. While I secured a €1/word commission before Christmas last year, this is sadly not the standard sort of rate you can expect as a journalist.
If your parents are anything like mine then their understanding of ‘freelancing’ is wrapped up in the glamorous depictions of fictional journalists like Carrie Bradshaw in Sex and the City, who writes one article a week and somehow still manages to afford a New York apartment and a shoe addiction.
In reality, most UK-based publications are more likely to pay you £100-£200 depending on article length and the amount of reporting involved — but then you need to deduct 20-30% for tax so then, really, you’re only taking home £70-£140 for a piece that probably takes a couple of days to research and write. For a full list of rates, check out this great database from JournoResources.
But it’s not just my parents who think that it’s common to make a full-time living as a freelance journalist. Many of the early career-stage journalists who DM me on Twitter or ask for advice via email are often shocked to learn that I work in marketing 9-5, Mon-Fri. Some of them seem confused as to why my Twitter bio says I’m a freelance journalist when I have a full-time job alongside my journalism career.
But a lot of freelance journalists work full or part-time in parallel industries such as marketing, social media management, copywriting, ghostwriting or PR. Others work part-time in retail or hospitality—or top up their freelancing income with tutoring jobs. Very few self-described ‘freelance journalists’ secure enough commissions each month to have enough cashflow to be able to live off.
Of course, there are a few exceptions to this—there are some very talented journalists who have enough brilliant ideas to be able to make enough money to live off. I doth my cap to these people. But as someone in a position to send a message to early career-stage journalists, I want to stress that you are not failing at freelancing if you’re not covering your costs.
Writing for a living is an incredibly rewarding job, but it’s also bloody difficult. Pitching is a painstaking process, and don’t even get me started on trying to get paid for work once it’s published. Having a side job can be a great way to relieve anxiety about money. I enjoy freelancing because I know I only have to pitch and write things I want to write about; if I have a bad mental health week like I did a fortnight ago then I don’t need to worry about being able to afford to eat because I know my paycheck will clear in my account each month.
So if you’re trying to toss up whether to apply for a staff reporter role or choose the freelance pyjama life, then consider whether you can bring yourself to explain to your relatives the 10 different things you do for a living next Christmas. If you’re happy to try and explain to your nan what a social media manager is, then maybe the freelance life is for you after all.
… in editing
Emily Anderson’s piece on ‘The problem with the ‘Deluxe’ album’ is an insightful look at some of the tensions between the artistic and financial aspects of releasing music. I also enjoyed editing Kat Smith’s ‘Introducing’ feature on artist Gia Ford.
… in writing
Articles written: 3
Articles published: 3
I wrote a small news piece on Echo & the Bunnymen’s rescheduled UK tour, and then in my day job I did two interviews — one with Truth Be Told, and another with Bearnie, an Italo-Indonesian artist who has just released her debut single.
… in listening/watching
I enjoyed the second episode of ‘Indiependent Thinking’, where Olly, Tara and Jacob tackled royal drama, internet celebs bullying the undeserving, and the mad world of stock markets.
… in reading
BOOKS: I devoured Megan Nolan’s novel Acts of Desperation in one sitting and I’m currently reading David Hepworth’s Overpaid, Oversexed and Over There: How a Few Skinny Brits with Bad Teeth Rocked America
Tavi Gevinson’s ‘Britney Spears was never in control: Why did I ever believe a teen girl could hold all the power?’ for The Cut is powerful stuff
Grace Dent’s food column ‘British grief centres mainly around the making of sandwiches’ was very emotive
Imogen Brighty-Potts’ first-person Metro piece ‘After being hit by a car, I finally feel confident posting bare-faced selfies’ reminded me of the importance of being honest on social media
Jasmine Andersson’s VICE piece on ‘How queer people get into straight relationships’ was really fascinating and I can definitely relate to some of the biphobic dating experiences
It’s been a week on journalism Twitter, and Moya Lothian McLean’s gal-dem piece was much more articulate than anything I could’ve written on the events and discourse of the past week: ‘Don’t blame media startups for low budget, blame an industry refusing to invest in young diverse voices’
My timeline is covered in love for WandaVision, and Jess Bacon’s emotive piece ‘I know grief all too well — watching WandaVision has been like therapy’ for i News was a powerful take
Nana Baah’s Noisey/VICE piece ‘How TikTok turned into a viral popstar factory’ was super interesting stuff
At the risk of turning this newsletter into a Diyora Shadijanova fanzine, I loved her gal-dem piece ‘I miss airports more than anything else in the pandemic’
Big fan of Grace Oram’s VICE feature ‘What it was really like to go on ‘Dick and Dom in Da Bungalow’ as a kid’ — such good morning telly
Here’s an important and troubling VICE piece by Josh Gabert-Doyon on ‘How the government spies on welfare claimants’
I thought this gal-dem piece by Zoya Raza-Sheikh raised a very important issue: ‘Is our obsession with queering the likes of Harry Styles costing LGBTQI+ artists of colour?’
JournoResources have two great events on the horizon: ‘Juggling journalism with your job’ on 10 March at 6.00 pm, and they also have a podcasting masterclass as part of their fantastic series ‘The Side Hustlers’ with Victoria Sanusi (Black Girls Livin') on 18 March at 6.00 pm.
The Creatives Movement is hosting some great ‘Womxn in Music’ events for International Women’s Day — I’m looking forward to this ‘Womxn in music journalism and broadcasting’ panel at 6.00 pm on 13 March.
I’m taking a week of annual leave later this month, so I’ve also registered to attend this Civic Journalism masterclass ‘How to be a critic with Rachel Aroesti’ on 17 March from 3.00-5.00pm.
I’m hosting a Q&A with digital investigator @JordanWildon (Deutsche Welle, VICE and the Daily Dot) on 23 March from 6-7pm (GMT). You can register to attend the first event in our ‘Indiependent Journey-lism’ series here.
Then there’s also the Women In Media conference, taking place from 15 - 28 March. Get your ticket here.
Psst if this list is cut off, you can view the full list of opportunities by clicking ‘View entire message’.
Aberdeen: DC Thomson Media has an obituaries writer role, a business journalist gig, a print features writer position, and a schools and family journalist role
Birmingham: InTouch Games is an award-winning games studio looking for a copywriter
Birmingham: DESIblitz.com is looking for a news writer and editor
Birmingham (remote): WordCandy is looking for a WordPress blog editor and writer
Brighton: ReedPop is looking for a guides editor to work on Rock, Paper, Shotgun
Bristol: The Bristol Cable is looking for a video journalist
Bristol: Yuup is a digital marketplace looking for a sub-editor/writer
Bury: CV Screen is looking for a content writer with B2B experience
Coventry: The Remit Group have a Level 3 content producer apprenticeship role
Derby: The Gin and Rum Festival is looking for a social media and marketing pro
Glasgow: Network Rail is looking for a digital content executive
Inverness: DC Thomson Media has a sports journalist gig, and a crime & courts journalist role available
Lanarkshire (remote): Reach is recruiting for a sub-editor to join the Daily Record
Leeds: The University of Leeds is looking for a communications officer to join the Centre for Cultural Values team
Leeds: The Yorkshire Post is looking for a senior reporter for maternity cover
Leeds: The West Yorkshire Combined Authority is looking for a communications and marketing officer
Liverpool: Beam Recruitment is looking for a content writer for three days in the office, two days at home
Manchester: The Candidate is looking for a creative copywriter for a city-centre role
Manchester: Distrelec is a leading European distributor of electronics, automation and measurement technology looking for a digital content writer
Milton Keynes: Dawsongroup plc is looking for a copywriter
Newcastle: MyBetBuddy is a football betting brand on the hunt for a social media executive
Nottingham: Games Workshop is on the hunt for a digital and community studio commissioning editor
Nottingham: The University of Nottingham is looking for a senior creative copywriter on a FTC for 12 months
Northampton: JPI Media is looking for a local democracy reporter on a FTC for 4 months
Northampton: Star Digital is looking for a copywriter
Oxford: The Royal Society of Wildlife Trusts needs a communications assistant
Reading: BuckinghamshireLive is looking for a trainee multimedia live news reporter
Sheffield: The University of Sheffield is looking for a digital content editor on a FTC until June 2022
Sunderland: streamGO is looking for a graduate video editor
Peterborough: The Trade Mastermind is looking for a direct response copywriter
York: The Sun US is looking for a freelance digital news reporter and there’s also a staff digital news reporter listing here
PS) As ever it’s lovely to know I’m not just shouting into a void, so if you like this newsletter please tweet me and let me know! You can reach me on @BettyKirkers or @DistrictPeaked