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Let's talk about PR and journalism

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Let's talk about PR and journalism

Is the relationship between public relations and journalism more complex than we typically acknowledge?

Beth Kirkbride
Jun 13, 2021
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Let's talk about PR and journalism

thepeakdistrict.substack.com

I’m back (after a wee holiday & a week off sick)! Thank you to everyone who took the time to fill out the survey I sent a fortnight ago — it was really useful to learn what bits of this newsletter you like, and what you’d all like to see more of going forward. If you didn’t get the chance to fill it out last week but you’d still like to, you can submit your anonymous feedback here.

This week I want to talk about the relationship between journalists and PR. Chances are, if you market yourself as a journalist on social media and you have your email somewhere publicly accessible e.g. in your Twitter bio or on your website, then you’ll have received an unsolicited press release from a PR rep. PR, for anyone who doesn’t know, stands for ‘public relations’. A PR rep’s role is to secure press coverage for their client—who might be an individual such as a small business owner, actor, author, or medical professional, or maybe they represent a huge multi-national corporation.

I’ve been interacting with PR reps/firms since I was 16 years old, having written for a number of independent music zines before launching my own site in 2014. I’ve become accustomed to receiving music press releases along the lines of ‘Hey Wrong Name, I hope you had a great weekend in the sun! Thought I would send across the new release from Joe Blogs for you to listen to’. I’m now used to the overly familiar copy & paste niceties that start each email, and know better than to respond in detail about my weekend, or even to feel the need to reply to every email I receive. But when you’re just starting out, it’s easy to be flattered by a PR approach and feel like you have to go out of your way to write a piece on their client.

Once you’ve established yourself, you may find that you receive hundreds of emails each week. This can be stressful, as the volume can make you feel guilty about the need to prioritise and only respond to PR reps whose clients you are able to feature that week. But it’s important to realise that you don’t owe PR reps anything. They are just doing their job—and more than likely they won’t take it as a personal affront if you ignore their email.

Now, the above makes it sound like every PR rep is lazy and a source of annoyance for journalists. That’s definitely not the case—there are some amazing PR reps who evidently really care about the clients they represent and that’s reflected in the quality of their press releases, and the lengths they go to facilitate requests or meet tight deadlines. Additionally, PR reps are usually super grateful when you are able to feature their clients—and you’ll find they are quick at responding to emails, and will usually be able to help you with requests for images to go with your pieces.

A good PR rep will do their research, and send their press releases to the most relevant journalists, with a tailored and thought-out ‘pitch’ (not dissimilar to how journalists pitch their ideas to editors). But more often than not, PR reps try the ‘throw it at everyone and see where it sticks’ approach. This can quickly lead your inbox to get clogged up with irrelevant press releases about subjects you’ve never written about. I’m here to tell you that it’s totally OK to hit reply and say ‘Thanks for thinking of me, but I don’t write about sport so I would appreciate being removed from your distribution list’. Or if you can’t bring yourself to write a reply, then it’s also fine to delete it altogether or mark the sender as a spam contact. Similarly, if you reviewed an album for an outlet one time but don’t generally write music reviews, it’s totally OK to hit ‘unsubscribe’ if you’ve been added to a distribution list against your will!

While most of the time you might find yourself being contacted by a PR rep first, there may be occasions where you proactively want to work with a PR rep and make that initial contact yourself. You can use the #prrequest hashtag on Twitter, or PressPlugs to get expert insights for features you might be writing. You can also sign up to distribution lists manually if you’re interested in receiving updates from labels who represent your favourite artists — but be warned that you’ll probably be inundated, so if you don’t already have a designated ‘journalism’ email account then it’s probably worth setting one up.

The relationship between PR and journalists is fraught and complex, but at the end of the day, both parties are just trying to do their job. A little understanding goes a long way, and while being chased repeatedly can be annoying, it is also absolutely fine to take the necessary steps to safeguard your inbox. Whether you’re a staff writer or a freelance journalist, take the necessary steps to ensure that your inbox is manageable, and you have people who you can turn to when you need experts to speak to.

My week 

… in editing

There’s been a tonne of great long-form music content on The Indiependent of late; see Ed Brown’s interview with Frank Turner; Harriet Fisk’s interview with Mancunian rockers, James; Emma Bainbridge’s interview with Scottish songstress, Hannah Slavin and Millie Scott’s interview with Laura Joplin, who spoke about ‘Days and Summers’, a scrapbook commemorating Janis Joplin’s life and career.

… in writing

Pitches: 1

Commissions: 0

Articles written: 0

I was recovering from a bug earlier in the week so my priority has been getting better. I’m going to spend Sunday morning brainstorming so that I have a bunch of pitches to send out early next week.

I’ll be the first to admit I’ve found it hard to adjust to my newfound social life—finding the time to pitch and write alongside my day job has been increasingly hard now that it’s sunny and the beer garden beckons!

Twitter avatar for @katlouisesmith
kat @katlouisesmith
how do people freelance alongside a full time job ~ not ~ in lockdown? after work + socialising I am no thoughts head empty
3:55 PM ∙ Jun 10, 2021
57Likes4Retweets

Articles published: 1

I reviewed the new Spector single ‘Catch You On The Way Back In’ for The Indiependent last week.

… in listening/watching  

I’ve been watching Inside No. 9 with my boyfriend and trying (and failing) to guess the ‘twist’ in each episode.

Also goes without saying that the new Lorde single ‘Solar Power’ has been on repeat since it came out. You can read Andrew Butcher’s review for The Indiependent here.

… in reading 

  • I’ve finally bought Anna Codrea-Rado’s You’re The Business: How To Build A Successful Career When You Strike Out Alone which is a great resource for freelancers — if you’re not already subscribed to her newsletter LANCE then be sure to

  • Hannah Jane Parkinson’s Guardian piece on kissing was fab. Fun fact: my first kiss happened in an alleyway when I was 14, it was raining and I nearly took the poor boy’s eye out with my umbrella

  • Someone reshared this New Yorker piece from 1999 by Anthony Bourdain on Twitter, and I adore it: ‘Don’t eat before reading this’. If you’re pining for a holiday then I can wholeheartedly recommend Bourdain’s Parts Unknown, which is on Netflix

  • I liked Hannah Ewens’ VICE interview with Amelia Horgan: ‘Why work perpetually sucks under capitalism’

  • I found Kate Julian’s piece ‘America has a drinking problem’ for The Atlantic really interesting

  • Kya Buller wrote this great piece for Stylist’s new ‘The Curiosity Academy’: ‘6 practical ways to start your own magazine and celebrate your community’

  • Amelia Tait’s piece ‘The internet said ‘dump him’, so I did’ for Refinery29 was fab (as is everything she writes)

  • Also for Refinery29, Natasha Preskey’s ‘Can non-monogamy ever be ethical?’ was an interesting read, having previously been in a poly relationship myself

  • This New York Times modern love column made my heart ache: ‘If I expect it to end, will it hurt less?’ (it’s a gift link so even if you don’t have a subscription you should still be able to read)

Events

On 22 June The Guardian Live is hosting a lunchtime event on ‘The importance of newsroom diversity’. Starts at 1.00pm, and is in partnership with The University of Manchester.

On 12 July at 8.00pm, former The Guardian foreign correspondent Hella Pick will be talking to Emma Graham-Harrison about her extraordinary life and career — get tickets here.

Opportunities

One of the things I’m going to introduce based on your feedback is pitching ops! Each week I’ll embed 3 pitch/shift callouts from editors:

Twitter avatar for @melissadenes
melissa denes @melissadenes
Writers, reporters, publishers, agents: I’m now open to pitches as features editor @NewStatesman: looking for deeply reported and narrative-driven long form (3000w+) that gets to the heart of how we live now 1/3
3:18 PM ∙ Jun 7, 2021
522Likes147Retweets
Twitter avatar for @RoseStokes
Rose Stokes @RoseStokes
Hello! From Tues next week I'll be starting a new part-time position as editor of Vitals, the women's health and sustainability blog by @MeetDaye. I'll be commissioning 4 pieces/month from awesome writers so please do send pitches to rose@yourdaye.com. Fee is £200 for 800 words.
Image
8:28 AM ∙ Jun 4, 2021
311Likes45Retweets
Twitter avatar for @ChloeStewart
Chloe Ellen Stewart @ChloeStewart
🚨 JOB NEWS 🚨 A bit late with this, but I’m happy to share that I’m now Showbiz & TV Editor at Daily Star Online. If you’re keen for freelance shifts with a super friendly & hardworking team, email chloe.stewart@reachplc.com
3:19 PM ∙ Jun 3, 2021
185Likes13Retweets
  • Anywhere (remote): JPI media is looking for regional editors with digital expertise to work across National World

  • Anywhere (remote): Reach PLC is looking for a community content curator for InYourArea

  • Bedford: Reach PLC is looking for a multimedia live news reporter for Bedfordshire Live

  • Birmingham: ITV is on the hunt for a production journalist

  • Bristol: The University of the West of England is looking for a senior media officer

  • Bristol: Link Publishing LTD are hiring for a B2B magazine looking for a multimedia journalist

  • Bristol: Reach PLC is recruiting for a regional content editor for Bristol Live

  • Cambridgeshire/Essex/Hertfordshire/Bedfordshire (Remote): Reach PLC is looking for an audience editor - but you’ll need to live in one of these counties

  • Devon/Cornwall/Dorset (Remote): Reach PLC is looking for a regional content editor — but you need to live in one of these counties

  • Dundee: DC Thomson Media is hiring a local democracy reporter

  • Glasgow: Action for Children is in need of a news and media relations officer

  • Glasgow: News UK is looking for an online news journalist

  • Guilford: The BBC is looking for a journalism coordinator for Radio Sussex and Surrey

  • Harrogate: JPI media has a trainee reporter gig up for grabs

  • Leeds: Look North is looking for a production journalist to work in its busy TV and online newsroom

  • Manchester: The LADbible Group is recruiting for a senior journalist for SPORTbible and they’re also looking for a video sub-editor

  • Newcastle: The NHS Business Service Authority is looking for a media and campaigns officer

  • Newcastle (remote): Aspect Publishing is looking for a healthcare reporter

  • Norwich (remote): Reach PLC is looking for a content editor to work on content across Norfolk and Suffolk — so you’ll need to live in one of these counties

  • Nottingham: Reach PLC is recruiting for reporters for Nottinghamshire Live and there’s also an apprenticeship journalist gig up for grabs (with fully-funded training available)

  • Oxford: Oxford Brookes University is in need of a news and media relations officer

  • Oxford: The University of Oxford is looking for a communications officer, paying up to £40,000 a year

  • Oxford: Another high-paying gig here, Oxfam is looking for a PR lead

  • Salford: The BBC is looking for production management assistants to work on shows like Blue Peter

  • Welwyn Garden City: Frazer Jones is looking for a business news and features editor with B2B experience

About me: I’m Beth Kirkbride, an NCTJ-qualified freelance journalist from Sheffield. I’m the founder and music editor of The Indiependent, a communal platform for early career-stage journalists. I started this newsletter because there’s a tonne of great resources promoting journalism and media opportunities in London, but not all of us want to live or work there. Because I’m passionate about access to the media industry for all, this newsletter will always be free – but you can buy me a ko-fi if you’d like to say thank you.

PS) As ever I love hearing what you think of this newsletter! Tweet me @BettyKirkers or @DistrictPeaked

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